Books

May 22, 2008

How to Read an Art Book

    Clint Watson recently asked his blog readers to send him the titles of their favorite art books.  My first thought was "I have so many - how can I choose just one?"  But then I thought it might be more useful if I didn't send Clint my list, and just blogged about the best ways to read (or use) an art book.

    So here are my tried-and-true methods. 
  
     Art book as a door stop. This is useful for those books you don't need today, and maybe not tomorrow, either, but you aren't ready to sell them on eBay or donate them to the Library.  Depending upon the amount of ventilation (stiff breeze) through the windows, you can easily prevent the studio door from slamming shut with one or two average art books.  More than that and you risk stubbing your toe.

    Art book as a decorative item.  I like to lay my art books flat and stack them on the book shelves in my dining room.  They look very artistic that way, and I intermingle colored dishes and artsy-looking pots.  If you stand there with your head tilted to one side you can read the interesting titles.  You can't see much of the pictures on the covers, though.  However, your dinner guests are usually very impressed.

      Art book as a future reference.  You never know when an art book might actually prove valuable to you.  Take Carlson's Guide to Landscape Painting by John F Carlson.  Copyright is 1929.  The first time I tried to read this book I got as far as  "The art of painting, properly speaking, cannot be taught, and therefore cannot be learned."  That, along with his true-to-the-times references to painters as "men" was enough for me to consign this book to the "door stop" category.  But I re-discovered Carlson after stubbing my toe on his book.  For the landscape artist, it contains a wealth of information.

     Art book as feng shui symbol.  Oooh, I like this one.  If you want to be famous for your art, place lots of art books in your "fame" section.  Also, place RED books in your south area.  This also helps.  And then, if you have plenty of time on your hands, you can determine which books relate best to your various other sections: the earth area could house your landscape books, your helpful people area could hold your figure drawing books, and on and on.  Endless possibilities. 

       Art book as an alternative to therapy.  There are tons of books on the market offering to help you find yourself creatively, avoid artistic depression, re-invent your artistic life, fight your artistic wars, become inspired by dead artistic people, but far and away, the absolute best book that I've read on this subject is "Creative Authenticity: 16 Principles to Clarify and Deepen Your Artistic Vision", by Ian Roberts.  Absolutely the best!

So what do you use your art books for?
      

November 20, 2007

Plowing the Land

Autumn has always been a favorite time of year for me.  Walking through the fallen leaves, hearing the crunch beneath my feet, feeling the last rays of warm sun against my face even as the air turns crisp.  Overhead the geese are moving, and faintly, above the sounds of traffic, you can hear them calling.  I stop, fascinated by the drops of water collected on the the fallen leaves,transparent jewels on orange and yellow, wishing I had my camera.  What a painting that would be, although no one would believe the image unless it was a photograph.  It's a time for me to center my thoughts and see where I intend to go in the coming year.

Intend is a word I use deliberately.  Just as painting is something I feel compelled to do, like an addict, so is the intention I have of developing my knowledge and skill levels in any way that I can.  Teaching has been an inspiration to me.  In the beginning, it is easy to only see how much more I knew than my students...the facility with the brush, the automatic mixing of favorite colors...the things beginners struggle with, and yet are so eager to learn. What I came away with, though, was how much more I want - and need -  to learn.  I would like this blog to be more than bragging about what I'm painting , or where I'm showing those paintings.  I want to share my journey: I have found inspiration through the journeys of other artists I admire, and I want to help pass that inspiration along.

I currently have six books that are of particular interest:   

    Wassily Kandinsky: Concerning the Spiritual In Art, translated by M.T.H. Sadler
    Search for the Real: Hans Hofmann, edited by Sara T. Weeks and Bartlett H. Hayes, Jr.
    Milton Resnick, @ Pat Passlof
    Hawthorn on Painting, collected by Mrs. Charles W. Hawthorn
    Alla Prima: Everything I Know About Painting, by Richard Schmid
    The Essential Haiku: versions of Basho, Buson, & Issa, edited by Robert Hass

I know...there was a collective "Whaat?" about that last book.  What does Haiku have to do with painting?  It is inspiration for me...if I could only capture in paint -- and with equal eloquence -- the image that Buson created in the following haiku:

                    Autumn evening --
           there's joy also
                     in loneliness.
                                 -Yosa Buson  (1716 - 1783)

I have used my "landlocked, working obligations, isolated location" lament ( "I can't get to those workshops..."  ) as an excuse for laziness, or fear, or the idea that I couldn't learn what I needed to know through my own efforts and readings, that someone else had to "give" that information to me...like it was a wrapped present or something, a Christmas Box I could open and -- Voila -- I'm an artist.  Teaching has gently forced me to admit that I could -- and should -- teach myself, and the reading I am doing has revealed that life-long learning was integral to the development of the icons I admire.  Certainly, if I could take a workshop from any of the artists whose work I admire, (assuming they were still living, of course) I would.  But in the interim, I will do what I can with what I have, as should you.  Waiting around for something that's "right" only wastes precious time...

Dsc01449

Edge of the Vineyard
16 x 20
Oil
@2007


It's time for me to plow the field, allow new inspiration and knowledge and insight to grow...to be greatful for every moment I can hold a brush in my hand.

Happy Thanksgiving. 

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