...might not be as urgent when viewed within the larger picture.
Artists who begin at a later age often feel disadvantaged: they've lost too much time and need to catch up. I felt that way, worrying about the time I didn't have and the paintings I needed to produce before I started to get "good at it."
But an intense need to catch up creatively can often get in the way of what you want to achieve. There is no race toward recognition, because many brilliant artists continue to work for decades without ever being recognized in the way we often imagine. Letting go of the idea that validation from others is the only measure of your artistic success is the first step toward developing a sense of balance and personal accomplishment as you follow your artistic path. While recognition does occur in the form of show acceptances, sales, awards, reputations and associations with fellow artists, these events will not dominate your experience.
There are actions we can take to help keep things in perspective, become more efficient with our time, and achieve reasonable goals. Here are a few that I use regularly:
Work in the studio when fully rested. When I'm mentally or physically tired, I read art magazines, watch teaching DVDs, or go out looking for effective reference photos.
Negotiate Studio Time. Ask for three hours of uninterrupted time in return for mutual time that can include chores, entertainment, or going to the dog park (harder to negotiate).
Paint small studies with a 20 or 30 minute time limit. Learn your pigments, how to manipulate your tools, and composition skills.
Complete larger work over the course of several days or weeks. If you are always painting wet-in-wet, practice building up your painting over dry layers. This can include sanding down the previous day's work and painting on top, using dry brush techniques, or finding new ways to achieve the painterly effects you want no matter what the conditions.
Spend time identifying your strengths and weaknesses, and focus specifically on where you are weak. We automatically paint to our strengths, then wonder why the work never improves.
While there should always be a sense of urgency to get back into the studio, do so with the idea that your goal for that day, that hour, or even those fifteen minutes, is to work on your craft, to explore your creativity, and to allow the creative flow to manifest through your experience.
Greenhouse Gallery of Fine Art
San Antonio, TX
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My wife is starting to accept that I will be spending time painting, so the idea of negotiating a set period each day sounds like a winner to me. I think it will also act as a spur to actually get on and paint!
Posted by: David Raison | February 25, 2013 at 03:55 AM
Amen,Sue. That need to hurry, Do ART faster is the first thing, on every project, that needs to be addressed. Damn, wish it were not so, but it is.
Posted by: Patrick Gracewood | February 20, 2013 at 06:12 PM
Hi Sue, No matter how long we've been doing it, your blog still means a lot to me. The season is going big time down here in Scottsdale with my doors open to the public
when I'm at my studio. I'm totally tired at age 69. I had to take the day off and do other things because I was getting so weary.
I enjoyed being outside and not thinking about ART. It was refreshing!! Thanks for all your great blogs and love the painting!!
Posted by: Lori Landis | February 20, 2013 at 04:47 AM
Such valuable advice - thank you!
Posted by: Sherri B. | February 20, 2013 at 04:41 AM
Thanks, Bill!
Posted by: sue | February 19, 2013 at 11:29 AM
Beautiful piece, Sue.
Posted by: Bill | February 19, 2013 at 11:02 AM